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16,000 excess heat deaths across Europe this summer driven by climate change

Firefighting helicopters drop water to extinguish a blaze in Torre de la Pe??a, southern Spain, Tuesday, Aug. 5, 2025. (Nono Rico/Europa Press via AP)
Firefighting helicopters drop water to extinguish a blaze in Torre de la Peña, southern Spain (Picture: AP)

There were more than 16,000 excess deaths in Europe due to heatwaves driven by climate change this summer, researchers have concluded.

Looking at the impact of a warming world on excess mortality, they said of these deaths, 1,147 were in the UK.

The study released today looked at cities across the continent during the roasting hot summer, the warmest on record, which saw temperatures of 46C in Spain and Portugal.

Overall, the researchers estimated 2025 was 1.3°C hotter than it would have been without man-made climate change, but that the effect was more pronounced in the summer months: August was an estimated 2.3°C hotter, for example.

Jim Dale, a meteorologist who wrote ‘Surviving Extreme Weather: The Complete Climate Change Preparedness Manual’, told Metro: ‘Am I surprised that people die with extreme heat? Absolutely not: it’s written on the can.’

He said that 35°C was usually the threshold at which there started to be major health concerns, but it could be lower.

The study led by researchers at Imperial College London used modelling, historical mortality records and peer-reviewed methods to provide early estimates of fatalities this summer.

Authors warned that their analysis was only a snapshot of the death toll, as the areas they studied represented only around 30% of Europe’s population.

Extreme heat is known as a ‘silent killer’ because the majority of heat-related deaths also go unreported, while official government figures can take months to appear.

People often die from conditions such as heart, respiratory, or kidney problems that are made worse by high temperatures, even though heat is rarely recorded on death certificates.

2025 saw the UK’s hottest summer overall on record, so far. But Mr Dale told Metro that this year’s heatwaves were not a blip, but part of a trend seen around the world.

Pointing to the record-breaking heat in 2022, where the hottest single day was recorded in the UK with 40°3C, Mr Dale said: ‘There was a much longer fuse this time around (in 2025). We had the dry spring; it wasn’t particularly hot, but sunny as well. Then we got the summer which was periodically hot, particularly in the south.’

epa12293787 People shade themselves from the sun on Westminster Bridge in London, Britain, 11 August 2025. Amber heat alerts have been issued as the temperatures will continue to rise for three consecutive days, expected to reach up to 34 degrees Celsius in parts of the UK. EPA/ANDY RAIN
People shade themselves from the sun on Westminster Bridge in London on August 2025, during an Amber heat alert (Picture: EPA)

Hitting out at people who downplayed the impact of climate change, he said those walking around bare chested in the heat were not those most at risk: ‘It does affect the elderly, the infirm, and those with underlying conditions.’

The study found that people aged 65 and over made up 85% of the excess deaths, and those over 85 make up 41%.

Heat deaths reported across the continent included a 51-year-old street cleaner in Barcelona, Spain, and a 47-year-old construction worker in San Lazzaro di Savena, Italy.

Clair Barnes, researcher at the Centre for Environmental Policy at Imperial College London, said: ‘It may not sound like much, but our study shows that shifts in summer heat of just a few degrees can be the difference between life and death for thousands of people.

‘The longer it takes governments to shift away from fossil fuels and cut emissions, the deadlier summer heat will become – even with efforts to become more resilient to extreme temperatures.’

Researchers noted that other factors play a role in how deadly heat is, such as preparedness, population demographics and air pollution.

They called for governments to build resilience to extreme heat, such as ensuring cities have ‘green and blue spaces’, meaning grassy or watery areas like parks and pools, increasing air conditioning, and allowing for flexible work schedules during hot periods.

The analysis was conducted by 11 researchers from Imperial College London, the London School of Hygiene & Tropical Medicine, the University of Bern, the Royal Netherlands Meteorological Institute and the University of Copenhagen.

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Over 25% of all music sent to popular streaming platform now fully AI generated

Over 30,000 tracks generated by algorithms are uploaded every day (Picture: Metro.co.uk)

If you heard a new song on a streaming platform, would you realise if it was AI generated? Would you care?

This is a question we’re going to have to think about more, with a surge in tracks generated by algorithms.

French streaming platform Deezer has released new figures showing that over a quarter of tracks delivered to them every day are now fully AI generated.

Now at 28%, this is a big jump even from the beginning of this year, when the figure was only 10% in January, rising to 18% in April.

Deezer, which launched in 2007 and is a rival platform to Spotify, said it is now being inundated with 30,000 fully AI-generated tracks every day.

This is not just bad for listeners, who may think they’re supporting real bands only to be listening to a batch of coding.

It can also be downright criminal: Deezer previously explained to Metro that many AI tracks are uploaded for fraudulent purposes.

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So-called streaming farms allow for tracks to be listened to over and over again by bots to game the system, and earn royalties.

It would be too obvious if an unknown artist suddenly racked up millions of streams, so fraudsters flood streaming platforms with lots of fake songs which are each streamed just a few thousands times: enough to make money, but less likely to make people suspicious.

Aurelien Herault, Chief Innovation Officer, told Metro: ‘If an artist is able to gain a significant number of users streaming their music, they then become entitled to a bigger share of the royalty pool.

‘This is true whether an artist is using AI or not; the only difference being that AI music is significantly easier to produce.’

Deezer prides itself on being the only streaming platform to tag if a track is generated by AI, giving transparency to listeners.

The need for this was illustrated after a mysterious ‘band’ called The Velvet Sundown racked up millions of streams on Spotify.

When they first became popular, there was nothing to indicate the band was ‘synthetic’ aside from their lack of social media presence, and some oddly smooth media images.

OSTRAVA, CZECHIA - JULY 27, 2024: App store with Deezer music streaming mobile application on iOS smartphone; Shutterstock ID 2547698701; purchase_order: -; job: -; client: -; other:
Deezer is now dealing with 30,000 synthetic tracks uploaded every day (Picture: Shutterstock/Mino Surkala)

To identify and catalogue music that was made by computers, Deezer uses a detection tool which looks for hallmarks of AI music, made by programmes like Suno and Udio.

Alexis Lanternier, CEO, said: ‘Following a massive increase during the year, AI music now makes up a significant part of the daily track delivery to music streaming and we want to lead the way in minimizing any negative impact for artists and fans alike.

‘Our approach is simple: we remove fully AI-generated content from algorithmic recommendations and we don’t include it in editorial playlists.

‘This way we ensure the impact on the royalty pool remains minimal, while providing a transparent user experience. And most importantly, we continue to fight fraudulent activity, which is the main driver behind uploading fully AI generated content.’

A study last year by CISAC and PMP Strategy found that nearly 25% of creators’ revenues are at risk by 2028, which could amount to as much as €4 billion by that time.

The report warned that even if listeners aren’t seeking out the tracks directly, AI music could become the go to for background music such as used in public places, or on social media.

Meanwhile, it could be used to cut costs for licensing music in lower budget films, series or games.

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‘Dystopian’ toilets won’t give you loo roll unless you watch an advert first

Users must watch an advert or pay to access toilet roll in some Chinese public bathrooms (Picture: Reddit/Youtube)

Paying to use a public bathroom isn’t a new concept, with plenty of countries charging an entrance fee to allow people to – literally – spend a penny.

But these public toilets in China have taken the concept to new heights.

In a move described as ‘dystopian’ by the anti-consumption subreddit, some public bathrooms in China are forcing users to watch an advert in order to gain access to toilet paper.

A video shared by China Insider showed a person scanning a QR code on the loo roll dispenser and watching a short advert, before a few squares of paper are dispensed.

If that’s not enough paper, or if you don’t want to watch an advert, you can pay 0.5 RMB – about 5p – to skip the ads.

It’s been claimed the system cuts down on waste, with authorities suggesting some people had been taking excessive amounts of free toilet paper.

But the move has been heavily criticised, with many suggesting they would simply choose to carry their own tissues in case they needed to use a public bathroom in China.

Plus, there are the potential hygiene issues if someone needs to use the bathroom but their phone has run out of battery, or they don’t have any spare change.

This isn’t the first time China has restricted toilet paper use in its public bathrooms.

Back in 2017, public loos at the Temple of Heaven park in Beijing installed toilet roll dispensers with facial recognition software built in.

Authorities claimed the attraction is regularly visited by people who stuff their bags with loo roll and take it home with them.

The new machines dispensed a strip of toilet roll measuring about 60cm in length, and would not dispense any more to the same person until nine minutes passed.

But the park was forced to clarify that if someone had diarrhoea or another urgent need for loo roll, a staff member would provide it directly to them – which wouldn’t be mortifyingly embarrassing at all.

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Remember LimeWire? It’s back and it has acquired Fyre Festival

Remember Limewire? It still exists and has made a major acquisition
Is this triggering any nostalgia? (Picture: LimeWire)

For millennials growing up in the blossoming internet era, LimeWire was an essential part of life.

They wouldn’t want to be caught dead on the school bus without the latest Beyoncé, Eminem or Linkin Park track on their mp3 player or iPod nano.

That’s where filesharing sites like LimeWire came in – a site notorious for sharing pirated music.

Sure, your download might include a snippet of a radio DJ introducing a track, or release a virus onto the family desktop computer, but it was all worth it, right?

LimeWire was shut down in 2010 by a judge and in 2011 its founder ended up paying the record industry $105million in damages.

But the brand was resurrected as a crypto and file sharing company in 2022, and it has just made a major acquisition – the infamous Fyre Festival.

An exclusive behind the scenes look at the infamous unraveling of the Fyre music festival. Created by Billy McFarland and rapper Ja Rule, Fyre was promoted as a luxury music festival on a private island in the Bahamas featuring bikini-clad supermodels, A-List musical performances and posh amenities. Guests arrived to discover the reality was far from the promises. Chris Smith, the director behind the Emmy Award Nominated documentary Jim & Andy: The Great Beyond, gives a first-hand look into disastrous crash of Fyre as told by the organizers themselves.
Fyre Festival was sold as a luxury music festival but ended up being a nightmare (Picture: Netflix)

Both LimeWire and Fyre Festival are well known names in the music world for different reasons.

LimeWire was known for enabling rampant piracy, costing the music industry huge amounts of money, while Fyre Festival promised a luxury music festival but was cancelled after a series of problems related to security, food, and artist relations.

The rights for Fyre Festival were put up for auction on eBay in July, and LimeWire bought it with a successful bid of $245,300.

Julian Zehetmayr, CEO of LimeWire, said: ‘Fyre became a symbol of hype gone wrong, but it also made history.

‘We’re not bringing the festival back – we’re bringing the brand and the meme back to life. This time with real experiences, and without the cheese sandwiches.’

Marcus Feistl, LimeWire’s COO, added: ‘We’re not here to repeat the mistakes – we’re here to own the meme and do it right.

‘Fyre became a symbol of everything that can go wrong. Now it’s our chance to show what happens when you pair cultural relevance with real execution.’

Festivalgoers at the Fyre Music Festival, 2019. ? Netflix / courtesy Everett Collection RGBMEX FYRE,
Festivalgoers at the failed Fyre Festival in 2019 (Picture: Alamy Stock Photo)

LimeWire described Fyre Festival’s revival as ‘bold, self-aware, and impossible to ignore – staying true to its chaotic legacy, but with a new layer of credibility, creativity, and control’.

They also said it will ‘expand beyond the digital realm’, which could signal a third attempt at hosting an in-person festival after the first two failed spectacularly.

LimeWire won the bidding war on eBay against a number of other interested parties, including creative agency Maximum Effort which was co-founded by actor Ryan Reynolds.

He said: ‘Congrats to LimeWire for their winning bid for Fyre Fest. I look forward to attending their first event but will be bringing my own palette of water.’

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